Sockpuppet of a generation, your fabric grown stiff by prickles of dust and neglect, I use your obfuscation for education, I use your flowery talk as substitute for wildness, loitering instead on needless drawl of hillbilly vernacular, filled with unprovable claims of royalty in your lineage and sadness at standing the ground of causes you doubt with urgencies inspected at random by grade school bartenders.

As I sit on this ineffectual springboard sobriety's dampness trickles through billions of my truck stops and thousands of failed pursuits. I housed a flowerless garden on your balding head, stroking at cancers and jilting the folly that pioneered glossy constraints. Hurt but nimble we filtered our anxieties through wintery coatrooms, shuffling our dismembered hands through strangers' pockets, sacs of air left pretty enough to cloister but emptied to the point of philistine loss. A father turns a french fry into a nuclear power plant. A scientist turns a chicken into a balsa-wood angel. A suicidalist turns an onion into a bullet. Changes asunder rip tidal frowns down hurried spaces, gibberish competing with listless vibrations of life on memory's undrawn familiarity. A t-shirt used as a spreadsheet links itself to obnoxious triumph of early television westerns, paying dearly for its unusual needs and accommodation, hulking through waste and bulleted fists while craggy additions to families of turmoil belch and crow like ludicrous science fiction animals with human intelligence and constant nakedness. A counterpoint of drowning treads its water humbly, blunting the glaze of history with disasters unrecorded by any source except the gusts of busdrivers' halleluiahs and viper-like stains of nugatory facial tics.

	

Listen! The World Is At Peace. Nobody Notices.

River The river flows hot and dry, spraining the back of America's silent highways and graveyards. Unseen clocks tick times of days, blinking seconds to vacant streets and bones of time. These nimble travelers live clichés of disintegrating memories. I dream in the power of ghostly heat. I look down to see the river in your face.
Museum Slits cut into matchbook covers let handwritten notes limp free, the stories flipped and historical situations scraped on inferior parchment never intended for immortality but rising to the occasion as history's eyelets tremble shut, omitting kingdoms and forgetting the triumphs on a spotless course of jumbled families' blinded interventions. Noteworthy on the frameless paintings are broomswept trash heaps of naked density representing the passing grimaces of judgmental strangers, the talentless and blandly spited accusations of others' inferiorities which reveal instead the weaknesses of the accuser, she whose scripted path through gravity resembles the airballs juggled in the vacuous backwash of uninfluential youth, an unmowed childhood regurgitating its weedy surroundings with few heroics and fewer seeds of menace. Passages of elevator music litter the halls, the squinches and arches elevate the flotsam into painless conciliation. The uneasy stampede of immoral conversations boils north of everything, drastically north of the windless libraries and falsely north of the cowardly circus-hunters breeding hazy rubber bones for crazed and starving dogs. I don't know what you said to the strangers swinging past on the brittle beards of queens but the substance of the words was freshest in the hungry flash of religion that clapped its hand on puzzled cue. Pretenses and flounderings of celebrity virtuosics remain cradled for all times by the occupation of starving canvas, the importation of life's routine numbnesses into the whetted mouths of banished vagrants. Weedless houses, abandoned for centuries, draw crumbs and chuckles from sensually opened bottles of cheap liquor, from toxically cheap wine served to quench the thirst of a bi-polar brain, nourishing the diagnosis du jour with nothing -- nothing -- while prospering on Monopoly money at a beggar's casino. The 16th-century rainwater pounds your thighs and feet but your head and face stay clear of the conflicting apocalypses brawling across generations. Bodies of effortless dismay streak like prowlers exposed by gotcha journalists and thousands of hidden cameras, cameras blasting mundane failures and wasteful exertions into the public places of starving joy. Everything is public, I say. Everything is public. You cannot agree but you do anyway, passing around the noseless faces from textbook history for dichotomous inspection and the limber ridicule of India rubber smearing blobs of erased history across the palaces of your wandering empire. Dreamless lineages of inspiration perspire along the nodes of education, nibbling on flimsy commentary of jobless law enforcement constables thrice revealed by a soup of decrepit pages from ancient manuscripts dribbed and drabbed from failing co?dination of papyrus and forest fibers. The delirious timbre of anxiety labors its path through infancies to retirement, funded by granite-faced women whose faces hover over the dial tone, rising from the comical friezes of paper currency, those whores of decision-making, the riotous gluttony that eats itself. Our comprehension of matters diminishes so we amuse ourselves with babytalk, gibberish words and nonses invented to impress the tourists into thinking we are not Americans. A senseless hoax of invigorating mental acrobatics used to mutantly generate phony words and intellectual-sounding pablum. "Lifker mux cruftian bloot nimp?" you ask. "Fra curia! Jufted plavaw pooz nomanarth, broster doil," I reply. You rise to the challenge, as the gibberish jousting continues. A Norwegian family stops to stare and listen, thinking they hear something comprehensible in our bravura showing of verbal fabrication. In the seconds to come we find that nothing remains of what we said. The vestigial limitations of communication, inaccessible to the human mind, are roundly exorcised from their shelter by spontaneous ejaculations of carefully unplanned humiliation. All that we discard is gathered up by the vacuum cleaners of cultural commentary, re-appropriated into visually coherent but linguistically meaningless jabber that rises above reasonable discussions, blanketing libraries and houses of debate with suffocating fragrances of unknown rot, these blundering turmoils of repetitive word matter spined by multiple backbones, covered by strata of a newborn's thickened flesh. The festivities spread to cloudless passages of sweaty rain, those ruggedly noiseless terrains whence worlds are frisked and fondled, where screaming infants inhale hurricanes while living like prisoners in topless pits and longing for the remote comfort of a crumbling black hole. Empty horizons inspire more than glittering skylines. I say this, and you cannot agree, but you do, again, you agree. How do these infinite trails of microscopic adventure void the bullion of jumbled gold left greatest in value by bullish grins of red and unrubbed venom? How does the date resolve to algebraic tranquility if the hot-voiced lecture climaxes on the blushing violence of spoiled cream? Ask not the hungry pastures of manufactured villainy, for blindness lingers on the stools of the coolly bulleted list of your life stories.

I remember that 
callow flourish.
it happens again 
at times. 
Not the frosty 
"lover at war" nonsense 
but the image of my 
bare legs, 
trailed by sparkles, 
articulated with 
fantastical detritus to 
reflect the 
movement and the 
ambition of my 
progress through 
this world.

Mother and I went to dinner at a loud, crowded place.

We confirmed our reservations and walked down a circular staircase to get to the dining room.

We got to the bottom of the staircase and entered the dining room when mother realized she had left her purse upstairs, probably at the reservations desk. She panicked a little, turned around and slightly pushed me out of her way as she rushed back and started running up the stairs.

A few steps up the stairs she looked up and saw a man holding her purse, holding it up and toward in her in an affirmative manner indicating that he knew he had her lost property. All eyes turned toward the communication between mother and this man, a brief feel-good moment.

Mother indicated relief, and I felt it as well, that waterfall of assuagement that punctuates sudden panic, a spontaneous and un-orderly sorting-out of what will happen, who will have to be called, what plans will have to change if certain articles from one's carry-all suddenly go missing, or if they fall under someone else's control.

The man with the purse gestured to mother that he would toss it down to her. She held open her hands, smiling. I knew, instinctively, that she did not appreciate this, this somewhat risky act of throwing the purse, but that her gratitude toward the individual for finding and offering to return the purse was enough for her to compromise and allow him to return it in the manner of his choosing.

The act of him throwing and her catching was a clumsy ballet, not one confidently entered into for the first time between strangers in a crowded room of onlookers.

She held her hands up in anticipation of receiving the purse. The man tossed the purse down toward her. Her hands barely had time to close when the purse struck her in the face, knocking out her false teeth. The purse simply came down faster than she expected. She was still smiling in gratitude and relief that her purse was found when it hit her face, knocking her smile asunder, and shattering it.

All eyes, aghast, turned toward the man who had gone from good samaritan selflessly returning a lost item to a virtual attacker who appeared to have assaulted my mother by throwing her purse at her face.

He seemed apologetic, but snarkily so. In fact, by my estimation, he was not apologetic at all. Mockingly shrugging his shoulders, he instead basked in the lingering, prestigious glow of one who found another's object of value and returned it for no reward. He put more value on his good intentions than on the buffoonery of his ill-advised manner of returning the found object.

Mother retreated to a space away from the crowded room and away from the puzzled gawkers. She re-adjusted her false teeth and re-appeared, taking my hand as we left the place, briskly climbing the stairs, never to return.

That was the first time I knew my mother's false teeth existed. She never mentioned them, not even in the broadest vaguenesses. The closest allusion I remember was mother simply saying she had bad teeth as a child. It was well into adulthood myself when, through some stream-of-consciousness or other, I deduced that mother must have had a complete set of false teeth since at least her 40s, if not earlier and if not for virtually all of her adult life.





I do not remember what happened. He stole things. He cheated in school. He had pornography. I followed him. I cheated on tests, copying his answers one by one, not questioning them. The answers, as my mother quickly observed, were nothing but alternating "True" and "False." a 20 question True-or-False quiz for which DT provided me answers, answers which I devoured in panicked ignorance, failing to notice the pattern. 1. T 2. F 3. T 4. F On and on, for 20 questions, a column of letters and numbers. He stole things from the school library. Evidently, so did I. But when I say I do not remember that is not a vulgar attempt to dismiss or disassociate myself. The incident is simply not clear in my mind. It was in the library. Mrs. F., the crabby librarian, collected library fines. Some of these fines added up to considerable sums of $1 or more. My anxieties about library fines stretched back to the evacuation, when I was able to get away with not paying a library fine on account of our family's early release. I don't remember if I owed any library fines in the 3rd Grade, but DT showed me where the money was. Mrs. F. stuck the money in a book, or so I believed. It seems like most of the fines were less than $1. A stash of money collected from library fines would likely be in nickels and dimes. That is, unless Mrs. F. converted the coins to bills from her own pocket. That is how DF explained it to me. The presence of those bills, though, was erotic. Not sexual but sensuous. Opening a book, a book that looked no different from the others but which DT knew contained money, opening that book was 3rd-grade sexual to me. I was nervous touching the bills, nervous as the first time I undid a woman's pants, nervous as I tasted her for the first time. I held the bills with my fourth finger, imagining that finger was safer than others, less traceable. Or perhaps imagining that these special sheets of paper demanded special attention and unusual means of handling. Days passed, and somehow it was found that either I had the money, or DT had the money. I don't remember having the money, though I might remember lifting it from the book. Did I keep it, or did I hand it to DF? Was there a handoff of loot somewhere outside the library? Whatever the case, someone found the money missing and I suspect that whoever that was had little trouble concluding who took it. The library, a moon-like terrain to youngsters, was but a tiny room to adults. I don't remember taking the bills. I don't remember getting caught. I was called to the principal's office. I do not remember who was present. It may have been Sr. H. or her substitute, but whoever it was was erased from my mind by the presence of a man in a business suit. Wearing a suit and tie and coming from some place other than the school he asked me several questions, smiling opaquely, a half-grin, the type some people do not realize they exhibit but of which he seemed readily aware. When I got my passport made, 30-something years later, the woman who handled the transaction had that exact grin on her face. She made mundane comments and I saw her face and chuckled, thinking she was smiling. She was not smiling, and I promptly stopped laughing, remembering that man in the principal's office. The situation may never have been as serious as I imagined it. I was being investigated, interrogated, cross-examined. The principal indicated that a specialist was brought in to ask me questions, and by specialist I thought she meant police officer or private detective, though I am not certain that I knew what either of those things were. The nun said to me "This is (unintelligible)." The she turned her ass toward me and mumbled "He's from the (unintelligible)." He was sharply dressed, pristinely, even, his nose sharp and his hair dark. A pin glittered on his lapel, possibly an American flag or some sort of patriotic symbol like a Statue of Liberty image, or maybe just the torch which Liberty holds in her hand. I sat in a chair and the man knelt over slightly, maybe leaning against a table or the principal's desk, asking me about the money. DT had told me what to say, but I can't remember what he told me to say, and I can't remember what I did say. I am pretty sure I said that he and I were in the library, looking at books, when we happened to find one book with money in it. We didn't know what it was, or why it was there, but we took it, assuming the Finders Keepers rules applied. To have brought in outside help for this investigation suggests something more than a few dollars was at stake, but I just do not know. Maybe that was just a ploy, though, to scare the bejeezus out of a little kid by making him think that the CIA was brought in to investigate and prosecute the case of a few dollars stolen from the library's fines. To me the few dollars felt like millions, no not even something as concrete as "millions" but like an ungoldly amount of money, incalculable precious tender of significance that transcended its value. I could barely contemplate the amount of money, which perhaps reflects in the fact that I don't remember how much it was. Is it the first money I ever touched? The first American money? I remember the Asian currencies, and I probably was encouraged to hold on to a few of those bills as souvenirs. And certainly I had seen or even handled coins by the 2nd or 3rd grade. But this money was dark and foreboding. Something about this money was dangerous, and not just because we "found" it. DT knew the money was there, I think. He saw the librarian stash it there. He directed me to it, and made me steal it from the book before giving it to him later. I can not remember if I told the investigator that we were just looking at books in the library when we found money in one of them, or if I told him that DT had set me up. It is hard to imagine how articulate I could have been, but the school year ended soon after this incident and DT did not return the following year.

I am looking at America through its throwaway memories, its unsearchable lives. bullions of gravy in a lump of home swinging on electric hazel where a chandelier of candy melts. records need to be kept. who records the mash of scents tangling in your hallway? who records the emptiness in your freezer? who remembers these cudded words? dig into the phlegm of your mind. expect garbage. expect combat. listen to the drain listen to the drain listen to the drain inhale

Time wasted is the truest form of death among the living, shut like a coffin in the sex-washed wind of the purple night. 10.10.15 How often do you read the letters I never sent? Those silent bulges of history? 10.10.09 For all this drizzle the sourness reigns in blemishes left by you, the corners of defilement and imperfection mocked by old jokes, inanimate objects punctuated with dank nuances of your judgments, life's porously invisible lunacies chased by laughter continuously down the centuries, the same as on these spots in times still current, times as connected as today, times always alive to you because you listen, because you wait for the messengers who made no appointment, you listen for the neighbors long moved away. You are looking for the meaning in the common stairwells, lamp posts and municipal mysteries of tireless infrastructure, the grain of your attentions vacuumed away by passers-by seen and invisible, drawing chalk from your fists to explain the continuities of detritus, particles of industry sternly lurking in the metal fences, the hovering tangle of cables inhabited for a century by voodoo childhoods in the permanent passage of stillness. Your eyes follow the travels of strangers, your legs trace their paths down alleys and forgetfulness, you look for answers in the objects they ignore, your sounds unheard in continuous evaporation. 10.10.01